More trials with dried dyestuffs, regular and irregular, on 10 mm silk habotai and modified post-printing with iron.
2. Left, Osage Orange, modified with iron, post-printing; Right, the same Osage Orange. Bundled over driftwood.
3. Left, Osage Orange and cochineal, modified with iron post-printing.Right, Osage Orange and Cochineal. Bundled over copper.
4. Collection: Osage Orange, Shizandra Chinensis with dried lemon tie-dye(beiges and tans); ditto, modified with iron to give greys and khakis.Second left, a fragment of silk chiffon printed with Tel Aviv park eucalyptus leaves, simmered in dried lemons, modified with iron.
1. Rubia tinctorum (madder rich) and cochineal (Dactyopius coccus) concentrated extracts (from Maiwa/Couleurs de Plantes)
2.Maclura pomifera (Osage Orange), woodchips/sawdust (from my stash). Interesting history of use recorded by Rita J. Adrosko in “Natural Dyes and Home Dyeing”, an authoratative reference (much misquoted, it seems to me).
3. Dried lemons. They look like wee black walnuts and are actually small limes. From my kitchen cupboard via the mid-east grocery.
4. Black Tea (loose Assam/Darjeeling) the darkest I could find.
5. Schizandra chinensis ( schizandra berries, ground). Often referred to in less frequent dye literature as a tannin-rich mordant. “On Special” at the health food store along with other intriguing roots and leaves with dye associations like calendula, hypericum perforatum, nettles, calendula, etc. Among other claimed health benefits, an aphrodisiac in Chinese Medicine. Various colours claimed for this dyestuff so one needs to experiment with mordants, modifiers, heat, length of cooking time, etc.
Next post: Travelling further along the “Silk Roads”