Midwinter Eco-printed Scrolls

 

In just a few days, the darkest days will be over and light will stay with us longer! This post, I had been hoping to share some pics of illuminated MSS on loan from the Bodleian to the Jewish Museum in NY…unfortunately, I seem to have lost them somewhere in cyberspace.( I learned from “The Art of the Saint John's Bible” by Susan Sink that the term “illuminated” refers to the gold used for illustrations in the manuscripts. ) So instead, I offer some images of my dye garden in midsummer and midwinter as illumination to your imagination!

Midsummer past:

Midwinter present:

The harvest of that garden keeps me close to summer all year. Besides the dye flowers you see in the summer garden ( coreopsis, tagetes, amaranthus, baptisia australis, borage, basil, viola ticolor) nearby are Red Maple (acer rubrum), Sugar Maple (acer saccharum), Silver Maple (acer saccharinum) Chokecherry (prunus virginiana) and from the kitchen, tea (camellia sinensis).

In the fall I eco-printed watercolour papers with tree leaves as content for another series of botanical scrolls (suite to my textile scrolls exhibited in July), artist books entitled “New World Scroll” . Some images:

Rust and leaf eco prints provide form and content of the New World Scroll. as does the book's accordion structure. The first books were in scroll form, flat or pleated or slatted (depending on its culture of origin). I am using paper to recall ancient form and marking it with plant dyes as a contemporary take on ancient practice, and also as a comment on disappearing traditional natural dyeing knowledge and skills, a loss now connected with disappearing plant diversity and ecological imbalance.

I have handwritten the names of the plants in Latin and English as is proper to a botanical document but in pleated scroll style. I have to say I was hesitating to use my own hand ….dreamed of perfect type from an elegant letterpress…but concept and earthiness won out. Hands on, the powerful presence of a maker in the lettering.

The plants recorded on the scroll are both native and immigrant, a witness to the ideal of a global sharing of knowledge and skill for the benefit of all. A blog, kind of.

Each double spread is inserted inside a fold in the accordion spine and presents four different prints. There are twenty-four eco- printed pages, two eco-printed end papers and a set of eco- printed and embroidered linen covers.

Some closer looks:

The embroidered and printed covers refer to traditional skills and knowledge that have faded away but which are being recovered gradually in textile circles – women's work, mainly…and with new appreciation for the artistry in the ancient practices.

Chokecherry and Red Maple pages in the scroll

Chokecherry pages

Simple pamphlet stitch spine

Opening the scroll

Next time:

More book arts!

And more NYC because that is where I will be spending Christmas. I wish you all the blessings of this holy season

Wendy

 

Advertisements

Eco printing the chuppah 2

Sorry folks – learning to use iPad with Blogsy for blogging…hmm..

Here are pics of plant materials I collected in Savannah and Charleston a few weeks ago; in the prints on the chuppah, they represent the Southland, home of the Groom:

Southern Magnolia

 

Camellia

Sweet Gum

Lichen fallen from Live Oaks…but what kind of lichen and how to process? Have to check Karen Diadick Casselman’s book “Lichen Dyes: The New Source Book”

Fig leaves from trees known in Israel, (the Groom’s spiritual -and one-time geographical – home), from a plant in my house:

…and Silver Dollar eucalyptus that printed the yellows and oranges shown below and in my last post:

…plus another type of eucalyptus (what kind?) gathered from a park in Tel Aviv:
A fig and eucalyptus bundle on silk organza:
These four silk organza bundles look yummy, like Vietnamese rice paper roll ups! The four finished panels (16″ x 72″) will form side flaps on the chuppah:
After unbundling, the eco prints on the silk panels looked like this:
And this is the eco print of the Sweet Gum, magnolia and camellia leaves (above) on silk dupioni

 

Next time: blue, blue, blue